| Cameras and Rigs James S. and Susan W. Aber |
| Digital KAP | Canon Elph | |
| Canon Rebel | Canon S70 |
We began with film cameras in 1996 and added digital cameras starting in 2001. High-resolution digital cameras now rival 35-mm film for image quality, and digital technology has many advantages over film techniques for kite aerial photography. Most important is the ability to review pictures immediately in the field in order to confirm successful photography. The ability to edit, display, and print digital images shortcuts photochemical processing, and digital files do not degrade with time, as color film does. Finally the cost of such digital photography in now competitive with equivalent film methods. For this reason, we now utilize Canon digital cameras for most of our kite aerial photography. The section on film camera rigs is given for historical purposes.

Image courtesy of B. Leffler (2001).
We subsequently acquired the Canon PowerShot S230, which has a 2048x1536 CCD for 3 megapixel resolution, and we modified the radio-controlled rig to fit either version of the camera. Our results with digital KAP are quite satisfactory, and this camera has become our first to utilize for routine field work. Image resolution is comparable to 35-mm film for most purposes. The digital pictures are bright with good color balance and require little enhancement for display or printing. The digital capability means that pictures can be reviewed immediately after each flight to determine if the mission was successful. However, both these models suffered from relatively slow shutter speed, which resulted in a high proportion of blurry images.
| Canon Digital Rebel KAP rig by Brook Leffler. Total weight of rig and camera with zoom lens (as shown) is 47 oz (1.33 kg). Photo date 7/04. |
As with other SLR cameras, various lenses and filters can be utilized for special effects. A lens with 10 mm focal length produces super-wide-angle images, for example, equivalent to a 16-mm lens on a conventional 35-mm film camera. Another interesting effect is a panoramic image built from multiple, overlapping photos.
This camera rig is relatively heavy, especially with the large 10-mm lens; thus, it requires a large kite flying in a steady, strong wind. Operation of the radio-controlled rig is quite smooth, and a "fast-shutter" mode is most notable for achieving a high percentage of sharp pictures in spite of camera motion.
| Canon S70 camera rig in flight. This rig is based on the robust titanium frame built by Brooks Leffler originally for a film camera. We constructed a new aluminium cradle to hold the S70 camera, and we added the gent360 to stop pan creep. Total weight of camera and rig is 28 oz (0.8 kg). Photo date 7/05. |
This camera combines compact size and light weight with advanced photographic capability. It quickly has become our most useful camera for many applications, particularly expansive landscape views. With a large (1 GB) memory card, it can hold ~150 high-resolution pictures (3072x2304 pixels). The large image size facilitates many digital or print options for editing and display. However, a fast computer with plenty of memory is necessary for effective processing.
Tetracam ADC (2008)
The Tetracam Agricultural Digital Camera is designed to photograph green, red, and near-infrared portions of the spectrum, specifically 0.52 to 0.92 µm wavelength, at 2048 by 1536 (3 megapixel) resolution. The camera employes a special lens to transmit near-infrared radiation, and blue light is excluded. The resulting pictures are false-color images: green appears as blue, red is shown as green, and near-infrared is red.
Tetracam ADC.
| Tetracam ADC camera rig built with some customization from the basic KAP kit by Brooks Leffler. Photo date 6/08. |
Color-infrared photography was initially developed during World War II for camouflage detection. Important scientific applications include vegetation, soil, and water resources. In this format, vegetation appears bright pink and red, because photosynthetically active (green) plants strongly reflect near-infrared radiation. Water bodies, in contrast, strongly absorb near-infrared energy, regardless of water depth or turbidity. Because blue light is excluded, shadows appear quite dark. Thus, many color-infrared pictures have high contrast between bright vegetation and dark shadows and water bodies.
Our biggest problem for operating this camera routinely proved to be adjusting the lens focus and zoom properly. Considerable trial-and-error testing was necessary to achieve suitable field for view and focus, which are fixed with locking thumb screws on the lens. The image file format is proprietary, and special Tetracam software is necessary to process and display the false-color images.
All text and images © by the authors.
Last update June 2008.